Still messing around with a lighter, looser line weight. I’m liking it.
It looks weird to me when I look at the line work by itself. But then I realized that I am used to looking at a physical page that is covered in eraser marks and a mess of blue scribbles. That chaos adds real texture and depth to the page, thought the reader never sees it as I clean it all up digitally before sending it to the colorist. And when I look at this digital work it also has that texture -until I hide the sketch layer and then my brain just goes into freak-out mode. “Holy hell this looks all wrong!”
But when I slap some color on it, it looks right to me. So yay.
This particular piece is not a great example, but I really like how the sketchier lines are allowing my finishes work to maintain more of the energy and gestural nature of the initial sketches. With my physical work I am almost always disappointed by how stiff it gets compared to the page thumbnails.
last night my mom was like “you know what? you should go to law school, you’d be a great lawyer” and all i can picture is lawyer-me making fart noises with my mouth every time the opposing lawyer tries to talk
never in my life did I think that toilet doors would make me so angry
I live in a conservative/unfunny town, so this type of thing is almost unheard of
"what the fuck why does my cursor keep jumping across the screen???"
cat people: dogs are cool too
dog people: cats don’t feel love did you know a cat once MURDERED my MOTHER
OH VAMPIRE LAKE
TEACH ME EVERYTHING I NEED TO KNOW